Treachery and Betrayal in Othello

Treachery and windal, they belong hand in hand, like a married couple, for they both eventually lead to misery and sorrow. In William Shakespe atomic number 18s knead, Othello, acts of swindling and lese majesty have great dramatic significance. They greatly post to the theme that demeanor does non always deliver reality, and reality is non what one calculates merely ofttimes often what one does non see. The acts of imposition and stagal in Othello help to develop this theme by means of image development.Such acts include how Iago deceives Othello by being his champion and enemy at the same time. Othello betraying his wifes love and trust. genus Emilia (Iagos wife) betraying her very(prenominal) give husband for justice. Finally Iagos betrayal of Roderigo, using him and his gold for his evil plans, and then shoot downing him. Through ought all of these acts of treachery and force out(a) and betrayal a common theme seems to be essential, mostly through th e development of functions. Iagos component is a prime compositors case of how acts of treachery and betrayal can alter race.Iago starts of by call foring to ruin Othellos reputation as a great and wise general, as Iago says in (I, i,44) I follow him to serve my construction upon him. Iago tells this to Roderigo, showing that he intends to betray Othello, by pretending to be his friend and then corrupting and betraying him. As the play progresses, Iagos intentions are less driven by reason, and much driven by revenge, and blind lustful impulses, Othello shall fall between us (IV,iii,246). Iago says this to Roderigo, when he says it is evident that at this point Iagos character has undergone turbid variety show.For non only does he want to ruin Othellos reputation, alone now he wants to obliterate, destroy, and crush Othellos reputation, but he in like humanner wants to obliterate, destroy, and crush Othellos entire life. This change in character is in the main due to t he fact that the treacherous and betrayal acts that Iago has committed have change his ways of thinking and have poisoned his very mind. The more of these acts that he commits, the more his character changes. The more his character changes the more deceitful and concealed Iagos actions become. The appearance of his actions are not what they seem.His actions are twofaced, deceptive and cunning. This set of changes in his character and behaviour contribute to a common theme, the theme that appearance does not always portray reality. This theme is helped to be developed by Iagos change in character, the more acts of treachery he commits, the more deceitful he is, it is a as if he grows a secant face, giving him two faces. One face for deception where he pretends to be loyal and a good friend, and another where his true evil intentions are shown. All this just to get revenge on one man, Othello.By the time Othello realizes what is going on, it is too late and his appearance of things shatter revelation the reality of the situation. Othello has already fallen into the trap, unjustly killing his wife, thanks to Iagos twofaced deception. Upon coming to this realization Othello finally knows that appearances do not always portray reality, all thanks to Iagos cunning character. Othello loves his wife Desdemona very much at the start of the play he would do anything for her, believe her either word. However this eventually changes beca occasion Othellos character changes.His character changes because of his acts of betrayal towards his wife. When Othello becomes envious that his wife is having an affair with Cassio, he does not ask his wife to the highest degree it, but instead he goes behind her back and betrays her trust by asking Iago for proof Iago Ill see before I doubt when I doubt prove (III, iii, 203-204). By asking Iago for proof, and not his wife Othello is betraying his wifes trust and love. Through each act of betrayal Othellos character changes, he sees less reality and more circumvent appearances. He thinks less logically and more impulsively, with jealousy.His change in character causes him to neglect sight of reality and this causes him to go into further betrayal, by ultimately killing his wife, and completely betraying her trust and love and kindness. The more that Othellos character changes the less reality he sees, and the more fiction he sees, which kneads him betray someone he loves, because appearances are not always true. Othello and Desdemona are not the only couple that suffer acts of betrayal from within their very own relationship. Emilia and Iago are another couple that, whose characters change causing them to lose touch with reality.Emilia is always suspicious of Iago but she still trusts him, for example when she gives Desdemonas handkerchief to Iago reluctantly If the handkerchiefbe not for some purpose of import,/Givet me once more poor lady, shell run mad/ When she shall lack it (III,iii,156-159). Emili a does not want to give the handkerchief to Iago because she thinks he might to something to hurt Desdemona and Othello with it. Therefore she asks him indirectly to give it back to Desdemona. In doing so Emilia is betraying her husbands trust by doubting his intentions.This lower-ranking event is enough to change her view of her husband, and represent doubt in her mind as to the reality of his actions versus their appearance. Ultimately this small action has great consequences to her life. Near the end of the play, once Othello kills his wife, Emilia finds out and she confronts Othello, and she reveals that it was her husband that betrayed him. In doing so, she has betrayed all trust that she and her husband had. Making Othello see the reality of the situation, and shoving aside the illusion that Iago had woven around him.Iago in turn kills her, rewarding her for her betrayal, as he has done before to others. Iago has betrayed many people among them a very good friend of his, Rod erigo. Roderigo is a naive man who is in love with Desdemona, and he is paying Iago to set them up. Through ought the play he keeps paying Iago and he believes that Iago is doing this to help him. However all is not as it appears, for in truth Iago is using Roderigos money and using Roderigo to do his bidding all the while pretending to be his friend and helping him to get to Desdemona. I have rubbd this young quat almost to the sense,/And he grows angry. Now, whether he kill Cassio,/Or Cassio him, or each do kill the other,/ Every way makes my gain (IV, ii, 256-236). When Iago says this it shows how much he did not care for his friend, he was only using him for his own gain and spiteful purposes. Consequently Iago ends up killing Roderigo so that he may timbre like an innocent savior and a noble man. For Roderigo was instructed by Iago to kill Cassio. Through this act Iago has put on an act a mask, for he has disguised the reality of his actions through the betrayal of one of his close friends.In doing so Iagos character has become cold and cunning, able to make reality his puppet by putting on illusions for others to see and not reality. All of the above examples from Iago betraying Othello by being his friend and enemy at the same time, Othellos betrayal of his wifes trust and love, Emilia betraying her husband and making his evil deeds known to others and Iagos use and murder of one of his close friends. All of these acts of treachery caused the characters of the people committing them, to change for the worst.As the characters changed they saw less of reality and more fake appearances of things and events. This reproach in how characters see things leads to a common theme being developed that theme is appearance does not always portray reality, and reality is not what one sees but more often what one does not see. Having eyeball does not mean a person is able to see the truth, but merely means that they can observe all the illusions created by others, for to real see the truth, one must look with their minds eye.